Brian Bond

producer, mixer & songwriter

Brian Bond is a San Francisco-based producer, mixer, songwriter, guitarist, and post-production mixer with over twenty years of experience making records.


For inquries regarding production, mixing, and recording, get in touch.

Brian Bond smiling and playing an acoustic guitar

SELECT DISCOGRAPHY

A Nave Espacial — Exactly Where

Milky Mountain Studio

My studio space features multiple tracking rooms, inspiring views, and thoughtfully curated instruments and gear, located in the Russian Hill neighborhood of San Francisco.

Mixing desk at Milky Mountain Studio with a computer monitor showing a DAW session, studio monitors, and sunlit windows overlooking neighboring rooftopsRack of vintage outboard compressors and processors beneath a pair of studio monitorsThree musicians tracking together in the live room, playing bass, drums and guitar with headphones and microphones set upTascam 32 reel-to-reel tape machine loaded with Ampex 456 tape reelsDrum kit with overhead and room microphones in a tracking room lined with red acoustic panelsTascam Portastudio 424 cassette four-track recorder in front of racks of outboard gearWide view of the main tracking room with a drum kit, guitars and amps, red acoustic panels and a painted cloud ceilingVintage guitars and basses, including Gibson acoustics and a Fender Mustang Bass, lined up on a guitar standBrian Bond smiling while seated at a Yamaha upright piano

Post-Production

MIXING FOR PICTURE

As a post-production mixer, I work on commercials and documentary films. Here are a few recent selected projects:

Ethnomusicology

MUSIC RESEARCH

My ethnomusicological research focuses on Sufi music of South Asia. For my PhD dissertation (2020), I did a year and a half of ethnographic research on Sindhi-language Sufi poetry performance in Kachchh, Gujarat (western India), a border district adjacent to Sindh, Pakistan. The dissertation, entitled “A Heavy Rain Has Fallen Upon My People: Sufi Poetry Performance, Emotion, and Islamic Knowledge in Kachchh, Gujarat” is a study of how poetry performance, especially of poetry by Shāh ‘Abdul Latīf Bhiṭā’ī (1689–1752 CE) has served as a means for the transmission of Islamic/ethical teachings in rural Muslim communities in Kachchh. I examine the role of emotion and affective practices in knowledge transmission, as well as Islamic reformist critiques of musical practice. In total, I’ve spent about three years in India since 2005, most of that time studying music and languages (Urdu, Hindi, Sindhi, Kachchhi, Punjabi). You can watch more videos I’ve made of Sindhi music in Kachchh, Gujarat on my YouTube channel.